গাব্ৰিয়েল গাৰ্ছিয়া মাৰ্কেছ: বিভিন্ন সংশোধনসমূহৰ মাজৰ পাৰ্থক্য
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Bishnu Saikia (আলোচনা | বৰঙণি) সদস্য:Dubomanab সম্পাদনা পূৰ্ববত কৰা হল টেগ্: ২০১৭ উৎস সম্পাদনা |
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{{Infobox writer <!-- for more information see [[:Template:Infobox writer/doc]] -->
| name =
| image = Gabriel Garcia Marquez.jpg
| imagesize = 200px
| alt =
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| pseudonym =
| birth_name = Gabriel José de la Concordia García Márquez
| birth_date = {{birth date|df=y|1927|3|6}}
| birth_place =
| death_place
| death_date ={{death date and age|2014|4|17|1927|3|6|df=yes}}
| citizenship =
| nationality =
| education = [[University of Cartagena]]
| alma_mater =
| period =
| genre =
| subject =
| movement = [[Latin American Boom]], [[magic realism]]
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| children = [[Rodrigo García (director)|Rodrigo García Barcha]], Gonzalo García Barcha
| relatives =
| awards = {{awd|[[
| influences = [[Daniel Defoe]],<ref>[http://www.theparisreview.org/interviews/3196/the-art-of-fiction-no-69-gabriel-garcia-marquez]"The Journal of the Plague Year by Daniel Defoe"</ref> [[Franz Kafka]],<ref>[http://www.theparisreview.org/interviews/3196/the-art-of-fiction-no-69-gabriel-garcia-marquez]" At the university in Bogotá, I started making new friends and acquaintances, who introduced me to contemporary writers. One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed."</ref> [[James Joyce]],<ref name=ft>[http://www.theparisreview.org/interviews/3196/the-art-of-fiction-no-69-gabriel-garcia-marquez]"I had never read Joyce, so I started reading Ulysses. I read it in the only Spanish edition available. Since then, after having read Ulysses in English as well as a very good French translation, I can see that the original Spanish translation was very bad. But I did learn something that was to be very useful to me in my future writing—the technique of the interior monologue. I later found this in Virginia Woolf, and I like the way she uses it better than Joyce."</ref> [[Virginia Woolf]],<ref name=ft/> [[William Faulkner]],<ref>[http://www.theparisreview.org/interviews/3196/the-art-of-fiction-no-69-gabriel-garcia-marquez]"I'm not sure whether I had already read Faulkner or not, but I know now that only a technique like Faulkner's could have enabled me to write down what I was seeing. The atmosphere, the decadence, the heat in the village were roughly the same as what I had felt in Faulkner. It was a banana-plantation region inhabited by a lot of Americans from the fruit companies which gave it the same sort of atmosphere I had found in the writers of the Deep South. Critics have spoken of the literary influence of Faulkner, but I see it as a coincidence: I had simply found material that had to be dealt with in the same way that Faulkner had treated similar material."</ref> [[Ernest Hemingway]]<ref>[http://www.theparisreview.org/interviews/3196/the-art-of-fiction-no-69-gabriel-garcia-marquez]" My influence had been Faulkner; now it was Hemingway."</ref>
| signature = Gabriel Marquez Signature.png
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'''গাব্ৰিয়েল
সংবাদসেৱী হিচাবে আত্মপ্ৰকাশ কৰা মাৰ্কেছে অনেক বিখ্যাত অ-কাল্পনিক সাহিত্যকৰ্ম আৰু চুটিগল্প ৰচনা কৰিছে যদিও তেখেত সাধাৰণতে তেখেতৰ উপন্যাস যেনে One Hundred Years of Solitude (১৯৬৭), Autumn of the Patriarch (১৯৭৫) আৰু Love in the Time of Cholera (১৯৮৫) আদিৰ বাবেহে বেছিকৈ জনাজাত। তেখেতৰ কৰ্মৰাজী অত্যন্ত উচ্চপ্ৰশংসিত আৰু ব্যাবসায়িকভাবেও সফল। তেখেতে বিশেষকৈ
==তথ্য সংগ্ৰহ==
{{reflist}}
[[শ্ৰেণী:সাহিত্যিক]]
[[শ্ৰেণী:কলম্বিয়াৰ ব্যক্তি]]
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